Review

Man on Fire

Man on Fire

Director
Tony Scott
Year
2004
Rating
3 stars
Reviewed by
José Ruiloba a.k.a. Morris
Review date
Monday, August 23, 2004

There have been several revenge movies this year, whether coming from a comic book or Quentin Tarantino’s imagination, but none has been as disturbing and crude as Man on Fire, a movie that doesn’t show a glimmering portrayal of Mexico. But, in the ultimate twist, neither does it show a glimmering portrayal of Americans. After all, that’s how life is. And it’s so real it’s scary.

Creasy (Denzel Washington) is an alcoholic and retired militant with nothing to lose. He’s got nothing in the world and that loneliness is quickly consuming him. But one day his friend Rayburn (Christopher Walken) urges him to become a bodyguard for a rich American family in Mexico City. He is soon hired by Samuel (Marc Anthony) and his wife Lisa (Radha Mitchell) to take care of their little daughter Pita (Dakotta Fanning). A bond slowly starts to form between Creasy and Pita, so when she is kidnapped one tragic day he simply goes nuts.

I came into Man on Fire expecting an action movie more than anything else. That’s the image I got from the trailers. But I was pleasantly surprised to find a much more thought-provoking, intense drama. Sure, the movie goes into high voltage in its second half, but it comes as a logical and emotional part of the overall plot and not just as a plot device to blow some things up.

The success of the movie lies in the fact that director Tony Scott takes his time. Brian Helgeland’s script, from a novel by A.J. Quinnell, doesn’t rush things up. We spend the first half of the movie getting to know the characters, their conflicts, and their evolution. So when the tragic event occurs in which Creasy is unable to stop Pita from being kidnapped we’re completely immerged, both attention-wise and emotion-wise.

The relationship between Creasy and Pita is beautiful. Sure, Pita does behave more as a grown-up than as a girl her age, but it never crosses the line as to become unrealistic. It’s more about her intentions and her innocence towards wanting to make a new friend in a man he sees as a sad big bear. Creasy is not willing to at first, but it soon evolves into something more. And it’s heartbreaking.

The second half of the movie has Creasy seeking revenge, and you’ve never seen a man as angry as this one. I would pee myself if this man was after me. And the sudden discoveries he makes regarding the kidnap are both sad and disturbing. Yet they’re entirely a result of deranged human behavior. It’s distressing, but real.

Denzel Washington once again tackles a role that goes against-type from what he usually does, and he is superb. I couldn’t say it is one of his best performances, because honestly, you could say that just about every single acting job he’s taken in his career. He starts off as a lost soul, then becomes a father figure, then becomes a cold-blooded assassin. And never does it seem implausible. And Dakota Fanning keeps proving she’s one of the most talented actresses in Hollywood, period. I also enjoyed Radha Mitchell’s performance very much. Great job.

The movie was shot in Mexico City and it portrays an accurate depiction of the city. I’ve been there and know how it can be, whether in the poor neighborhoods or the rich ones. Scott uses his usual flavor of camera tricks and fast editing, something that isn’t always necessary.

Overall, a strong, absorbing movie.

“Forgiveness is between them and God. It’s my job to arrange the meeting.”

CriticSociety en Twitter | CriticSociety en Facebook

Share on Facebook | Share on Twitter

Other reviews of Man on Fire (2004): Mithrandir

Permalink

Comments

New comments are temporarily disabled